Mar 312016


The secretary General of NIPA India, Mr B. M. D. Agrawal writes to say that World Theatre Day was celebrated at Varanasi, Uttar Pradesh.

A number of celebrated and distinguished guests were present, including Chief Guest, Mrs. Rajlakshmi Golcha M.P. Nepal, who all spoke on various aspects of Theatre and Music. Continue reading »

Mar 242016

On behalf of the Nordic and Baltic countries, we wish you a wonderful International Theatre Day.

Lithuanian Theatre Lover about THEATRE ESSENCE


„… my soul home smelling like a mint tea. Only in theatre I can show true self. It is like the magical key to my essence.“ (Irmante, 16) Continue reading »

Mar 282015

On behalf of the Nordic and Baltic countries, we wish you a wonderful International Theatre Day

The ITI World Theatre Day message from Krzysztof Warlikowski  is HERE .

This response is from the President of the Icelandic Amateur Theatre Association, Thorgeir Tryggvason:

The heart of the matter is … All art must have an amateur heart. Continue reading »

Mar 062014

Brett Bailey

The author of the Message of World Theatre Day 2014 is the South African playwright, designer, director and installation maker Brett Bailey!

Brett Bailey’s Message

Wherever there is human society, the irrepressible Spirit of Performance manifests.

Under trees in tiny villages, and on high tech stages in global metropolis; in school halls and in fields and in temples; in slums, in urban plazas, community centres and inner-city basements, people are drawn together to commune in the ephemeral Continue reading »

Mar 062013

World Theatre Day was initiated in 1961 by the International Theatre Institute (ITI). It is celebrated annually on the 27th March by ITI Centres and the international theatre community.

Information about World Theatre Day can be found on the ITI site HERE.

This year, the message comes from the Dario Fo (born 24 March 1926) who is an Italian satirist, playwright, theatre director, actor, composer and recipient of the 1997 Nobel Prize in Literature.  His message is HERE, with the option to read it in many languages, and below.

Dario Fo’s Message

A long time ago, Power resolved the intolerance against Commedia dell’Arte actors by chasing them out of the country.
Today, actors and theatre companies have difficulties finding public stages, theatres and spectators, all because of the crisis.
Rulers are, therefore, no longer concerned with problems of control over those who express themselves with irony and sarcasm, since there is no place for actors, nor is there a public to address.
On the contrary, during the Renaissance, in Italy those in power had to make a significant effort in order to hold the Commedianti at bay, since these enjoyed a large audience.
It is known that the great exodus of Commedia dell’Arte players happened in the century of the counter-Reformation, which decreed the dismantling of all theatre spaces, especially in Rome, where they were accused of offending the holy city. In 1697, Pope Innocent XII, under the pressure of insistent requests from the more conservative side of the bourgeoisie and of the major exponents of the clergy, ordered the demolition of Tordinona Theatre which, according to the moralists, had staged the greatest number of obscene displays.
At the time of the counter-Reformation, cardinal Carlo Borromeo, who was active in the North of Italy, had committed himself to the redemption of the “children of Milan”, establishing a clear distinction between art, as the highest form of spiritual education, and theatre, the manifestation of profanity and of vanity. In a letter addressed to his collaborators, which I quote off the cuff, he expresses himself more or less as follows: “Concerned with eradicating the evil weed, we have done our utmost to burn texts containing infamous speeches, to eradicate them from the memory of men, and at the same time to prosecute also those who divulged such texts in print. Evidently, however, while we were asleep, the devil labored with renewed cunning. How far more penetrating to the soul is what the eyes can see, than what can be read off such books! How far more devastating to the minds of adolescents and young girls is the spoken word and the appropriate gesture, than a dead word printed in books. It is therefore urgent to rid our cities of theatre makers, as we do with unwanted souls”.
Thus the only solution to the crisis lies in the hope that a great expulsion is organized against us and especially against young people who wish to learn the art of theatre: a new diaspora of Commedianti, of theatre makers, who would, from such an imposition, doubtlessly draw unimaginable benefits for the sake of a new representation.

 Translation by Victor Jacono, ITI Italy and Fabiana Piccioli